Macomber adds a tear-jerking installment to the Blossom Street series with this account of lives intersecting at the series-hinging yarn store, A Good Yarn. Upbeat cancer survivor Lydia and her pragmatic sister, Margaret, start a Knit to Quit group in their Blossom Street yarn store, hoping to bring in customers for weekly self-help sessions. Casey, the 12-year-old girl Lydia takes in while waiting for an infant of her own to adopt, helps out in the shop when she's not sulking in her room or causing trouble for Lydia's family. Local baker Alix wants a baby as much as Lydia does, but she and her husband agree she needs to quit smoking first. Then there's super-stressed chocolate magnate, Hutch, who takes the knitting class after his doctor suggests it. Hutch hits it off with Phoebe, who is trying to quit obsessing about a broken engagement.
Finished this book at 1 a.m. this morning--as with the other books in the series, I couldn't put it down. New characters are inroduced to the Blossom Street group, and as always, it's interesting to see how previous characters develop and mingle with the new. I would love to give this book a five star review, yet feel unable to do so. It's a good, easy, uplifting novel (as are all of the author's books), and that's a huge plus in times like these. I appreciate the "everything turns out well" style of Debbie Macomber, aware that some might criticize a seriously happy-ending style. What can I say? I love a happy ending.
My main disappointments in this book (versus the others in the series) have to do with characterization. I've lived all over the country, known many, many women in all walks of life, and have never known someone like Pheobe. She just didn't seem plausible to me. By that, I mean her inner struggle didn't seem appropriate for a relatively short term relationship and fiance. Had she been involved with the man she hoped to "knit to quit" over the course of many years, or had she been married to him, her emotional tug-of-war would have made better sense. Perhaps there was something in her background to cause her to question herself repeatedly? The reader doesn't know if there is. Her character's background isn't developed... in previous books, the character's backgrounds come into play and help readers understand why they think and act as they do.
I also wanted to know more about Casey. A lot of critical information was void there. Some of her background was touched upon, yet left me wondering about more specific details.
Then, having "gotten to know" Ellen in the last book fo the series (Twenty Wishes), I felt it unlikely she'd immediately warm up to people she'd never met before in an environment away from Blossom Street. The scene (and chapter) seemed rushed in my opinion.
Finally, the ending felt rushed, as if the auther were trying to wrap up everything far too quickly. Overall, though, it's a worthwhile read. To those with editorial tendancies, there are a few oops (wrong name used, etc.). Nothing too serious.
I'd expect this to be a great beach blanket read.
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